The Celimarro district is named after the Greek name KUR-MARIOS, ‘’Lord Mario’’, probably the name of an ancient land owner who lived while Greek was still in use – there is proof of its use in Castrovillari the 13th century. The district is known for its archaeological evidence, from fossil remains dating back to prehistoric times, to the traces of the Roman consular road Popilia-Annia begun in 162 BC, to the remains of the Roman villa of Camerelle, not to mention the rare construction of Familongo, located close by and dated to the III century AD. Familongo is still intact, from the foundations to the vault, and the burial ground of possible Lombard origins. Last but not least are the rural buildings, dating back to the eighteenth century, such as the Gallo farm, today named Bonifati, and three farms that can be traced back to the Varcasia family and its several branches.

The rural complex of the Varcasias is considered the most beautiful and fitting examples of eighteenth-century masseria, among those located in Castrovillari. The patronal house, not quite large, comes from an almost-squared building built in the second half of the eighteenth century, perhaps on older ruins, partly visible in the large vaulted barn. Years later, a partially closed loggia was added to the façade through large arches. The interior is filled with paintings, most of them religious, hanging from the walls of the great hall to the other rooms and corridors: the ever present Madonna del Castello, patroness of Castrovillari, and an episode of the life of St. Francis of Assisi, a saint to whom the painter, the Adv. Antonio Varcasia, was particularly attached. For this reason, after his death, he left part of his estate to the Franciscans. Other interesting elements are the landscape covered in vegetation, and the several portraits of family members. In addition to these paintings, flowers surround greetings and words dedicated to the numerous guests who filled the villa. The whole decorative apparatus was realized by Mr. Varcasia during the 1920-30s. On the right side is a small chapel dedicated to St. Nicholas, founded by Don Lonardo Adreassi in 1769, as stated by the tombstone situated on the door , which also states the chapel did not allow confuggio, the asylum offered by churches to fugitives from justice. The roof is a bell gable, once decorated with bells. The interior is decorated with floral motifs added in the 1920s by Varcasia, whose painting of St. Nicholas of Myra was stolen from the altar. On the other side of the manor is a settler’s house which, before World War II, hosted an elementary school for the children of workers of the large estates in Piana di Camerata (today Cammarata). The coat of arms of the Savoia royal family stands as proof of it. Further behind were large brick vault stables for sheep, interesting building for its morphology, and for the written proof of much older construction works, maybe even Roman or early medieval. The structure, however, shows similarities to the rare mithraeum of the nearby Familongo, perhaps from the III century AD. All around are various smaller buildings, put to different uses related to farming. A large fountain and an oval brick tub can also be found, probably related to a Roman era nymphaeum (F. Cantarelli 1978). All this information goes to show how unique of an example the manor is in regards to ancient rural architecture.

The Varcasia family originates far back in time, where traces of it can be found with an archaic version of their name. In fact, the oldest evidence dates back to 1334, when a Guglielmo Barcasedi is listed among the priests of Santa Maria del Castello. In 1428 was another priest named Francesco Barcasedi, and so again in 1445 with Antonio Barcasedi. In 1750 a Nicola Barcasia is found, so that is when the surname started evolving until it reached its current form in the early 1800s, during the lifespan of Pietro Varcasia, famous for his favors to the French crown that occupied the Kingdom of Naples(1806 -1815). Other note-worthy members of the Varcasia family were Michele Clergy of the SS. Trinità (1840), lawyer Achille (1880), Vecovile Lieutenant (1870) Nicola, Pietro (1900) and finally Antonio, lawyer and last owner of the historic farm. Of wealthy family, the "Lord of Celimarro" (as they called him) was born on 22 April 1876 from Varcasia Domenico and Stigliani Rosina. He got his Law eagree at the University of Naples on July 20, 1899. He married Emilia Antonietta Giangreco on April 30, 1930 (the event is remembered at the entrance of the Masseria with the phrase "Antonio and Emilia 1930"). An only child, he gave up law to manage the family property. During the farm’s golden age, the buildings around the complex were home to several settlers who worked the land and cared for livestock. A whimsical and extravagant personality, although religious and devoted, he embellished both the Palazzo Varcasia (located in Castrovillari in Corso Garibaldi) and the Masseria di Celimarro with numerous paintings and allegories. Its passion for painting came from his father Domenico. Religious until the end of his days, he died in 1947 right in his Masseria which, as stated in his testament, he left to the Church with the whole land.

After the passing of Adv. Antonio Varcasia, the land and the farm were long abandoned. In 2006, driven by passion and courage, the Cipolla family acquired the estate and started restoring the company's productivity, starting from the land. The initial effort was towards the autochthonous varieties in the old vines (such as the Lacrima di Castrovillari, at risk of extinction), by re-grafting them on the wild rooted cuttings, thus planting the new vineyards. Today, the company is led by the young winemaker Valerio Cipolla, and counts on 20 hectares of vineyards, cultivated organically on 5 hectares of centuries-old olive groves.